Eddo Hoekstra Clinic Notes...Day 2...

I didn't take as many notes for day 2. For two reasons...one...I was really late. Apparently an Airman in Craig's command decided it would be awesome to deal large quantities of drugs with many clients in the Active Duty Air Force. He thought it would be super fun to not give up any names of his clients to the authorities so the response was to call in *everyone* on a Saturday morning for a drug test. This meant that I had to wait to go to the clinic until Craig got home so that Logan was supervised at all times. And the second reason, a lot of the exercises were the same, just having a greater response on the horse. Or some exercises used yesterday were used on different horses today.


After your horse has gotten good at doing SI, HI, SI, HI, SI it is good to start adding renvers and half pass on the long side instead on shallow loops. It's more like you're showing an understanding of the idea of half pass and renvers but not actually going all the way there. Then you can do half pass, half pass, half pass, just changing the direction while staying on your shallow loops. This is good prep for canter from the walk and good prep for flying changes.


At trot try asking for shorter/softer steps for three sides of the ring and then letting the horse out to lengthen for one long side.


If it doesn't come easily it probably isn't worth asking for (this was said in reference to a canter transition from the trot that wasn't so great). Also, if you wait too long to make a correction then the correction is too big.


Combine shallow loops with transitions between the walk and the trot (before adding in actual steps of SI/HI).


To work on your collection trot a 10 meter circle, transitioning between walk and trot, just after walking change bend to circle in the other direction (like starting a figure 8) and trot again.

Question Session Day One...

Jane doesn't change the flexion for flying changes because it puts you in the mode of using the wrong hand (it gets you focusing on the inside hand when the outside hand is more important in flying changes)

Jane first tries to teach a horse flying changes through a figure 8 with simple changes, walking in the middle and using the horse's tendency to anticipate.

****Training Flying Changes Tips****
Use outside leg (one trainer says, "give them a reason to change")

Add outside hand

Then inner leg/seatbones become more important and gives you expressive changes

Don't teach the horse to half pass away from the outside leg because it's too easy for the horse to mistake that for a canter depart

Fix overtempo by traditional leg yield with head to the wall, keeping a 35 degree angle between the horse and the wall

Jane's dressage "bible" is "The Complete Training of Horse and Rider" by Podjasky

He also discusses connecting half halts in this book, but he calls them Unilateral Half Halts

13 Year Old DWB Gelding...

This was a stunning Dutch Warmblood gelding. He and his rider are one score away from their gold medal. She said at the beginning that the horse does one's, but she doesn't.

The first thing Jane said was to make sure to keep the seat bone arrows pointing forward (ie lean back)

A half pass with no bend is 3rd level.

To improve the quality of bend at the half pass trot down centerline, LY with bend 4 steps, half pass with same bend 2 steps; repeat

Don't begin to half pass if there is no bend, and begin the leg yield *before* the horse flattens its barrel against your leg in the half pass

Leg yield from centerline curved like a C, suppleing as you leg yield

Pick up the trot, 10 meter circle, supple on circle, then leg yield to the wall from the centerline while maintaining the bend

If you pick an exercise to improve a movement, do the exercise to a few times and then try the movement to see if it actually improved

To get engagement use half-steps

****Half Steps Exercise****
Collect the walk, he should feel like 211 degrees boiling over; think jig with the legs forward; then slide them back and let him jig for 3 steps

When schooling Half Steps with a horse that likes to cheat by slowing down then work on raising the tempo

Jane and Sue Blinks never school Shoulder In down the long side, they always throw in an exercise like piaffe in the middle to get the horse to always be thinking "up" and loading the hind end (stay in Shoulder In though)

Covering less ground and going the same tempo or faster means he's lowering the croup and collecting

To improve the canter half pass, add 3 collecting steps (on straight line) then half pass again--this encourages snappy hind legs

You shouldn't half pass across the diagonal alone, so that the horse gets used to those collecting steps and expects them (this is how you go from a Prix St. Georges horse to a Grand Prix horse)

If the horse isn't doing enough strides in the pirouette make it do extra steps

If the horse wants its head too high then put him deeper so that his neck is lower for pirouettes (note--deeper, not rolkur)

The lower they are the slower they should go, otherwise they're just somersaulting around

Teach the horse on 20 meter circle what quick taps on the outside mean, before using it for collection in the middle of the half pass

20 Year Old I-2 Horse...

This guy was a handsome sweetie. She didn't mention his breed, he looked like either a TB, or a horse with a lot of TB in him. He was a dark bay and looked a lot like my Jessie. She wanted to work on getting more impulsion and more lift.

Your back controls the tempo, holding the reins just shortens the neck and may slow the horse; use the back/sit up muscles to steady the rhythm or slow the speed

Look straight up at the ceiling to keep from leading with the chin; also look side to side to loosen up the neck

Imagine that there are arrows that point straight down from your seat bones, whichever way the arrows point, so go the hind legs. --Kyra Kyrklund

****An exercise for getting *more* from your horse****
SI on long side, SI in medium trot 3 strides, regular SI, then SI in medium trot 3 strides (do the SI at medium trot twice on each long side)

As you do this exercise, start coming less back from medium trot at shoulder in each time you do SI at medium trot
****End Exercise****

****Half Pass Work****
Do the half pass, medium trot, regular trot, medium trot, less trot, medium trot, just a little less trot, etc--it's better to have 3 or 4 strides of medium trot a bunch of times than to have a couple of long medium trot half passes

When half passing, think that you're going to dismount off the horse with the leg the horse is bent around

The aids for half pass are inside leg and outside rein; stepping into the iron is why the horse goes sideways

Traditional American preparation is from shoulder fore, Jane doesn't prefer this method because the horse may tangle up its feet getting repositioned once it switches for the new movement

Klaus Balkenhol also doesn't like the Shoulder Fore to Half Pass method, he prefers to bend the horse and then "take" the horse; it's kind of like doing SI and HI at the same time; practice maintaining a 10 meter circle bend on the long side, once it's easy, take them into the half pass

Make sure you canter with your arms so that the horse doesn't nod behind

Finish the half pass in shoulder fore, so that the horse doesn't open the joints

An 8 or 9 half pass at 3rd Level=6 at Prix St. Georges=5 at Grand Prix

****Rober Dover Half Pass Exercise****
In the walk to the left, keep the horse equally bent from nose to tail, leg yield, 2 steps half pass, 4 steps leg yield---the bend should be the same whether Leg Yielding or Half Passing

"When I do it that way the half pass just happens"--this is what the rider said after trying the Dover exercise at the trot, her horse looked amazing during the exercise too

Second lesson on Kupkake...with pictures!

I had my second lesson on Kupkake today. It was great. We only trotted but I learned a lot. The rest of the pictures can be seen here http://www.jesterjigger.com/2008lesson20june.html though I have a good sampling here in the blog.

This was the second time I'd ridden this horse. He's an Arab/Percheron gelding, 8 years old, and completely trained by my instructor. He's showing Third Level now, I think. Prior to riding this horse and one lesson on another Third Level horse last week I've mainly been doing Training/First/schooling some Second Level movements. I'm still waiting for the saddle to come in for my mare, so my instructor offered lessons on her horses while I wait. He was incredibly easy to ride considering his experience versus my experience. I was still having trouble getting my leg far enough forward for the shoulder in at the trot, but did much better with it my second lesson than I did my first.

Trotting

Shoulder In

More Shoulder In

Half Pass

Half Pass

Extended Trot

The big impression left on me after this lesson was the importance of rideability. Jessie had rideability, just about anyone could ride him if they had half an idea of how to ride and that was demonstrated with both Amanda and Emily. I hope that someday Sophie is as rideable as Kupkake, and Jessie, though better trained than both ;-).

My big problem with half pass is keeping my shoulders even. I keep letting my outside shoulder creep too far forward. Overall I was really glad that Craig could come and take pictures. We had a great lesson, and after, I had a longeing lesson with Sophie. It was a very productive day, even though I ended up spending another 5 hours at the barn. But I love hanging out at the barn, I just wish I wasn't moving next year, I want to stay here forever and keep taking lessons.

Half Passing for Dummies...

Today I rode Kupkake. It was soooo much fun. We started out with some shoulder in, where I had to try it at the walk first so that I could get my inside leg far enough forward. Then I was able to do it at the trot. After that we worked on leg yielding, then added some travers and renvers. It was amazing how easy travers and renvers, he was so responsive to my leg.

After that we tried half passing and I started out with his haunches way too far over to the left, it was just hard for me to get it through my head that his nose needed to point toward the goal and then bend from there. But we got it eventually and were soon half passing from the centerline to 3/4 down the side. After that we tried it at the canter and that didn't go as well, but Kim said he isn't confirmed in canter half pass yet, but it was still fun to try.

The last thing we worked on was extended trot. We tried five or six times and one time was really good while the others were just so so (I think one was pretty good, lol). It was a lot of fun though. I found that it's much easier for me to half halt when tracking left, probably because I'm right handed. I also noticed that I was a lot more tired today, but I think that's due to the 8 miles I did yesterday.

So, that was my lesson. I have another on Kupkake Friday morning. Hopefully we'll be able to pick up close to where we left off (ie, that it won't take me so long to get my inside leg far enough forward to give him something to bend around). Today I didn't ride Sophie, we just worked on showmanship for a little while and I gave her a good brushing/fly spraying after my lesson.

Silver linings...

Yesterday I went to the barn to see Sophie. Still no saddle but we've been bonding through grooming and mane braiding. I misremembered when Kim said the farrier was coming and by the luck of fate pulled into the drive as the farrier was working on Sophie's feet. So I was able to give him a check and watch him in action (as well as Sophie's behavior). She was a very good girl, even standing in the other barn, where she's never been before. She is a conundrum, sometimes she adapts to new situations without batting an eye and other times she has a meltdown as if the world is coming to an end. I'm very glad that getting feet done was not a meltdown situation though. Her feet look great though, I just hope she makes it to the next shoeing without losing a shoe.

I hung around at the barn for a while, talking to Kim, brushing/braiding/fly spraying Sophie, and just as I was getting ready to leave Hayley asked if I wanted to ride her horse that night. At first I was going to pass but remembered I had a pair of breeches in the trailer and of course my boots/helmet are always in the trailer. So I agreed to ride Hayleys horse and it was awesome, because it turned into a full blown lesson with Kim on a Third Level horse.

He was kind of lazy to my leg because he's used to spurs, was testing me, and my legs are much weaker right now than they were last fall, but we did pretty well together. I even managed to sit his trot pretty well, which Kim said is very hard for people to do on their first ride with him. One of the hardest things to adjust to was collecting him enough for his level. I kept trying to do a training level frame with him and not asking him to be up enough. But I muddled through.

We did a couple of neat exercises. After I got the aids down for walk/trot/canter/bend/etc we worked on shoulder in and travers down the long side. Then we worked on cantering a 10-meter circle where Kim pointed out that I had to think about moving the shoulders over to really get the circle size down, which makes sense as that's the feeling I had with Jessie when we were almost pirouetting in the past.

After I got the hang of cantering a 10-meter circle we had a short break and then worked on a new exercise. Trotting down the long side, first half doing shoulder in, then a 10-meter circle at the middle letter, then travers down the rest of the long side, repeat at the next long side. We did that a bunch of times in both directions and then started working on half pass!

First we started working on just half pass from the quarter line which proved pretty difficult for me. So then we started with going across the centerline and asking for shoulder in and then haunches in on the diagonal line. That worked a bit better, but what really helped was trotting down the long side, doing a turn so that we were on the quarterline and then half passing back toward the long wall. That got us the best results, but mainly the last few steps toward the wall. It was still fun though and a great learning experience.

Friday Afternoon

Friday Afternoon-Using Dressage Movements to Improve the Horse Rather than Focusing on the Dressage Movements Themselves
Horse 1-Haflinger Gelding

This horse was the 3rd level horse, he was adorable and very nice, but very tense in the neck and tight across the back (he looked very flat at the beginning of the ride). The rider usually rode with a longer rein than Courtney wanted to see, but improved a lot between the first day and the second day in that aspect.

Warming up the Tight Horse
-stretching out won't help loosen the horse's back; the horse needs to stretch *down* (long and low)
-to warm up, extra bend the horse's neck to the inside, then bend to the outside, and repeat as needed, this is a great loosening exercise
-take the horse in round and deep for a few strides because then stretching out feels good (this was the only horse Courtney suggested this for, and they only did it once or twice the whole weekend, and it wasn't nose to the chest deep--just a bit behind the vertical)
-deep doesn't stretch the back; it can be a temporary fix for getting the horse to stretch (after the few strides of deep)
-volte and haunches in help with a stiff horse
-if the horse is strong when picking up the bit push it sideways
-counterbending is good to make sure the horse is supple (on a circle)

Suppling
-trot around the arena and volte (8-10 m circle) at every letter
-inside rein bobbing is a good sign (off the inner rein)
-can do this exercise with any horse (15 m circles if a young horse)

Haunches In
-continue to play the bit throughout
-if you ride each movement thinking of making the next one better you're going to train the horse; if you ride it thinking about this movement the horse will train you
-you have to set your standards high the first time, the horse will never improve if you keep doing it and don't say "Wait, this is what I don't like"
-it's natural for a non-supple horse to go faster at the haunches in; it's easier to go faster than it is to bend
-when cantering-have extra bend before you stop; if horse rushes then walk, put haunches in at walk; then canter again and try it

Suppling
-big canter then smaller canter, push horse to the outside as you go smaller
-best thing to do when collecting the horse is stay soft and supple
-keep playing the bit, give a little, bend a little, take a little, big half halt, etc--play the whole time

"Mistakes are going to happen, fix them! Don't avoid mistakes, train the horse."

Horse 2-Oldenburg Gelding

Haunches In
-difficult to get more bend once you're already in the Haunches In
-start out with too much bend if anything
-keep inside leg on the horse in order to keep the horse bending
-normally if the rider has to pull the inside rein over across the neck it means the inside leg isn't doing its job

Half Pass
-haunches leading stifles the movement; puts weight on the front legs
-sideways, then straight while doing shoulder fore, then sideways again
-outside rein has to push the shoulders over if horse leads with haunches, seen especially in horses super sensitive to the outside leg and moves the haunches over
-horse's angle should be same whether half passing or shoulder ining-don't push haunches to the outside

Flying Changes
-you learn what you practice, do not practice it wrong
-make each change better, jump through each change
-don't shorten the stride leading to each change

Courtney King Notes...

And now, my notes from the Courtney King clinics I spectated over the weekend at Equine Affaire. There were two clinics each of the two days. I hadn't known much about Courtney King going into the clinics, just that she was a Grand Prix rider.


Friday Morning-Dressage, How to Ride More Precisely
Horse 1-Dutch Mare

Collected Canter-keep the same jump and cadence throughout, always need a sense of forward

• Keep the collection by doing shoulder fore throughout the exercise
• When beginning schooling ask for 3 or 4 strides and then go forward again

Flying Changes-let the canter flow between the changes, there should not be a change in the canter prior to each change, the approach to a change should be the same as the departure from the change

Walking-(especially the free walk to working walk transition)-to loosen the back ask for sideways as you pick the horse back up. Ask for extra bend and a little sideways as transitioning from the free walk to the working walk to prevent the horse from stiffening and to keep you from just pulling back as you do it

• Never rush when picking the horse up at the walk

Miscellaneous-to get the horse more "up" use walk-trot transitions-not shorter reins and more leg.

Humorous Sidenote (this rider had said that she needs help with her half passes, and Courtney had a great sense of humor and was very witty).

Courtney: "Now lets see that horrendous half pass"

Rider half passes

Courtney: "It's not horrendous, but it's boring"

Grand Prix-the horse's understanding...

Leg=collect and sit

Hand=extend

Miscellaneous

In dressage, you should always ride shoulder fore, it encourages the inside hind to track between the front legs; weights the inside hind leg while keeping the haunches from being toward the center of the ring

Half Pass

-go into it with extra bend

-use inside leg to prevent too much sideways

-need to keep the horse from falling onto the shoulder, keep her upright with the inside leg

• will help with rushing the sidepass when walk-trot transitions within it don't

-if your half pass is honest and in self carriage the inside rein will become loose

-if horse leads with its haunches go straight while in shoulder fore and then half pass again

• don't wait until the haunches lead though, shoulder fore *before* the haunches lead, if you do it before there's a problem you might only need to do it for a stride or so, if you wait, it'll take a few strides before you can go back to half pass

Training-do a movement with precision and quality for a few strides and then change when quality deteriorates to improve the movement--then try again

• don't just keep going while doing it badly, horses learn through muscle memory and they'll learn it wrong if you do

Canter Half Pass

-if losing it *push* the horse straight, don't just allow the horse to stop going sideways

-make sure the horse keeps reaching

-do it on the 3/4 line because you'll already have the horse balanced on your outside leg, rather than beginning from the wall

General

-if the horse gets too up play a little with the reins, don't hold it in; up is what allows the horse to be expressive

-after doing canter work make sure you get a good trot before stopping for a break

• make sure the horse is supple and loose in a way that encourages expression because horses are trained on muscle memory, so don't throw the trot away on the way to the walk

-if the horse picks up the wrong gait when you are asking for something correct it right away because otherwise next time the horse will think "I was right, that is what she wanted" and will be more likely to repeat the incorrect reaction

Horse 2-Danish Gelding

Lendon Gray's #1 rule for riding--Learn to do nothing (be part of the horse); until you can do that you have no right to ask the horse to conform to your body

Sidenote

Courtney would give the horses 3 or 4 walk breaks during each 45 minutes session, I found that interesting because quite a few on the internet seem to think that the horse should never be allowed to walk and rest during a schooling session

Light hand is not because you give it; it's your ability to react

• Some horses want a heavier connection, which is ok, as long as it's consistent

"Don't do anything artificial with your hands, let the horse have control"

Shoulder In

-can be corrected when you're not in the shoulder in; do a volte halway through

-start it when the horse is already good

Collected Canter

-move the bit a little

-sit a little deeper

-sometimes just need to relax and stop focusing on being perfect

-the horse has got to pull your arms, you don't push it's mouth

Other

Low hands look nicer, are more elegant and effortless (not to mention that the two riders prone to holding their hands too high had much nicer rides when they lowered their hands so that there was a straight line from elbow to mouth). Another thing I noticed was that the two riders that tended to ride mainly off the curb were the two that held their hands too high. Almost everyone was told shorten the snaffles (those two to lengthen the curbs too) at some point, a couple because the snaffle rein seemed to slip through their fingers; the other two were told to lengthen the curb and shorten the snaffle (sometimes the curb would be taught for them and the snaffle rein loose). Courtney got very tired of telling one person to get off the curb.